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#Marmoset toolbag 3 extra substance how to
#Marmoset toolbag 3 extra substance software

On the revolver, I left it on for quite a few pieces and it does not show on the Normal Map and even if it does upon zooming in close, I noticed it can look like tiny imperfections which blend nicely with the actual texture.Marmoset Toolbag™ is a powerful real-time material editor, renderer, and animation editor bundled in a tidy package. There might be a few tiny spots where you will see fragmenting so what I do is just adding it to all my objects and later at the end when I export I toggle on/off individual parts to see if I can still export/bake without any problems. It does an excellent job in most cases even if you put it to 90% polygon decimation. In order to still be able to handle so many polygons, we can make use of the Decimate modifier. The second disadvantage is that we quickly can get millions of polygons per object (especially on more complicated/bigger pieces.) That solves the performance issue entirely.Ģ. That way we have the same performance as if we didn't have the modifiers added and we will only reactivate them later once we get to the export part. the high poly model and then we toggle it off as we work on the next one. We go through them one by one, making sure it looks great with the Remesher aka. That can stack up if you have a lot of pieces and take a few minutes depending on your machine.įortunately, the solution is simple: all we have to do is toggle the modifiers OFF on our high poly elements after we applied them. Using the Remesher workflow results in long loading times as it "voxelizes" our meshes and currently the way it behaves in Blender is that if you save a scene where you have the remesher stack "active" it will go through the entire loading process again if you reload that scene.

#Marmoset toolbag 3 extra substance how to

Let's also talk about the disadvantages of the remesher method and how to deal with them.ġ. We can control the hardness around the edges through the Corrective Smooth modifier amount. This guarantees an equal and smooth transition throughout the entire object.

The last step is to add the Corrective Smooth modifier on top which then results in our high poly model.

Remesher looks at whatever is being offered to it and creates a "voxel" based version out of it.

Once we have this in place we can then add the Remesher modifier.

If you add remesher to a 12-sided cylinder it will only remesh the individual edges it finds which is why we need to crease and SubDivide. Remesher does not subdivide the mesh in the traditional sense.

Adding crease to our edges so that we can tesselate it further with our SubDivision modifier and that's also the main difference to consider for this workflow.

The steps to apply Remesher to our models are as follows: Of course, there are a lot of cases where we can still apply it but for more complicated hard surface geometry it can quickly become a lot of work. With the Sub-D workflow, we spent a lot of time trying to eliminate these occurring issues which cost us precious time and effort. The disadvantage of Sub-D modeling is that we always have to be considerate about pinching, intersections, overlaps, etc. If you are familiar with 3D modeling you probably know that cylindrical elements with extruded/intruded parts can be quite unforgiving when it comes to pinching: Here we have a simple Sub-D comparison to Remesher while using the exact same topology without any extra support loops. Just because we have Remesher doesn't mean we can't combine it but to be honest, after getting accustomed to Remesher there are not too many scenarios where I don't want to make use of it. which by the way we can still make use of, of course. Let's take a look at how it works and how it compares to the traditional sub-d modeling workflow.

#Marmoset toolbag 3 extra substance software

This saves precious time and keeps it all to one software without having to import/export back and forth. Thanks to the remesher modifier we can now do all of this in Blender with the exact same results based on direct comparisons. This workflow is not necessarily new but so far a lot of people would make use of ZBrush to get this result through DynaMeshing the geometry there. Once we get to the high poly part we will make use of Blender's Remesher modifier which is an amazing way to create high poly models in a modifier-based and non-destructive environment and with excellent results.